Best for Last: Hope Diamond Is the Final Stop on 2020's Gem Gallery Virtual Tour

More than 200 million visitors to the National Museum of Natural History in Washington, DC, have marveled at the beauty and majesty of the Hope Diamond since jeweler Harry Winston donated it to the Smithsonian Institution in 1958. In yesterday's column, we recounted how and why Winston decided to use the US Postal Service to ship the 45.52-carat gem from New York to DC.

The weathered brown paper mailing wrapper — showing $2.44 in postage, but also $142.85 for $1 million worth of insurance — is a popular exhibit at the Smithsonian’s National Postal Museum. But, 1.3 miles away on the National Mall, the Hope Diamond is the prize of National Gem Collection.

When the Smithsonian's gem gallery was renovated in 1997, the Hope Diamond necklace was moved onto a rotating pedestal inside a case made of 3-inch-thick bulletproof glass. The display sits in the center of an expansive rotunda, adjacent to the main entry of the Janet Annenberg Hooker Hall of Geology, Gems, and Minerals. The 7,500-plus gemstones in the collection range in size from less than a half-carat to 23,000 carats.

In a normal year, 4.2 million people would pass through the Smithsonian's most popular museum, but this has not been a normal year. The Smithsonian museums remain closed in an effort to contain the spread of COVID-19.

During the pandemic, we have hosted 13 virtual tours utilizing 360-degree viewing technology provided by the Smithsonian. Previous stops have included the “Zuni Tribe Turquoise,” “Picasso Kunzite Necklace,” “Marie Antoinette Earrings,” “Hall Sapphire Necklace,” “Victoria-Transvaal Diamond,” “Carmen Lúcia Ruby,“ “Chalk Emerald,“ “Gifts from Napoleon,“ “Stars and Cat’s Eyes,“ “Logan Sapphire,“ “Dom Pedro“ aquamarine, “Steamboat“ tourmaline and a grouping of enormous topaz.

Here’s how to navigate to the Hope Diamond.

— First, click on this link…

The resulting page will be a gallery called “Geology, Gems & Minerals: Precious Gems 1.”

— Next, click the double-left-arrow two times to navigate to the gallery called “Geology, Gems & Minerals: Hope Diamond 1.”

When you arrive, you will see a single, glass-encased exhibit at the center of a rotunda.

– Touch the Plus Sign to zoom in.

(You may touch the “X” to remove the map. This will give you a better view of the exhibit. You may restore the map by clicking the “Second” floor navigation on the top-right of the screen.)

Researchers believe the Hope Diamond’s origin can be traced back to 1642, with the discovery in India of a beautiful blue rough diamond. It was crudely finished and weighed 115 carats when it was purchased in 1666 by French merchant Jean Baptiste Tavernier, at which time it became known as the Tavernier Diamond.

French King Louis XIV bought the Tavernier Diamond in February 1669 and ordered it to be recut. The result was a 69-carat heart-shaped stone that would be known as the French Blue.

In 1792, the French Blue was stolen from the royal treasury in Paris. Its whereabouts remained unknown until a large blue diamond appeared in 1839 in the collection of Henry Philip Hope, a London banker and gem collector. Gem historians believe the French Blue had been. once again, recut. The 45.52-carat gem became known as the Hope Diamond.

After going through numerous owners, it was sold by French jeweler Pierre Cartier to Washington socialite Evalyn Walsh McLean in 1911. In 1949, McLean's heirs sold the stone to Winston, who exhibited it throughout the US for a number of years. In 1958, he decided to donate it to the Smithsonian.

According to the Smithsonian, Winston envisioned the institution assembling a gem collection to rival the royal treasuries of Europe -- "crown jewels" that would belong to the American public.

"Other countries have their Crown Jewels," Winston reportedly said. "We don't have a Queen and King, but we should have our Crown Jewels, and what better place than here in the nation's capital at the Smithsonian Institution."

Credits: Hope Diamond photo by Studio Kanji Ishii, Inc. / Smithsonian. Screen captures via naturalhistory2.si.edu.

In 1958, Hope Diamond Was Sent From NY to DC Via Registered Mail for $2.44 in Postage

The Hope Diamond may be the most famous gemstone in the world, but when NBC’s Harry Smith recently visited the Smithsonian in Washington, DC, he highlighted the surprising story behind the parcel that ferried the priceless 45.52-carat gem in 1958 from Harry Winston's New York headquarters to its new home in the US capital.

In the six-minute piece that aired on NBC's TODAY show earlier this week, we learned that when the esteemed Fifth Avenue jeweler decided to donate the gem to the Smithsonian, his preferred carrier was — not an armored vehicle — but the US Postal Service. The registered First-Class postage cost him just $2.44, but he also paid $142.85 for $1 million worth of insurance. The total payment of $145.29 is equivalent to $1,289 today.

“It’s the safest way to mail gems,” Winston told The Evening Star (Washington, D.C.). “I’ve sent gems all over the world that way.”

Winston was right. The package arrived in DC safe and sound.

In Washington, the package stamped "Fragile" was delivered to the Natural History Museum by local letter carrier James G. Todd. Reporters were on hand to witness Todd plucking the valuable package from his mail satchel and presenting it to Smithsonian Secretary Leonard Carmichael and Smithsonian curator George Switzer. Also attending was Edna Winston, the jeweler's wife.

While the Hope Diamond is the most popular exhibit at the Janet Annenberg Hooker Hall of Geology, Gems, and Minerals, only 1.3 miles away at the National Postal Museum, the post-stamped mailing wrapper remains one of its most cherished artifacts.

"The National History Museum can have the diamond. I want the box it came in," said Dan Piazza, Curator of the Smithsonian's National Postal Museum. "I kind of think we got the better end of the deal."

Smith and Jeffrey Post, the Curator-in-Charge of Gems and Minerals at the Smithsonian, shared a nervous laugh when discussing the credibility of the "Hope Diamond Curse." Within a year of completing his delivery in November of 1958, Todd was plagued by a series of tragic events. He suffered a crushed leg and head wound in two separate automobile accidents, his wife died of a heart attack, his dog strangled on his leash and Todd’s home was partially destroyed by fire.

The Hope Diamond has been a permanent resident of the National Gem Gallery for 62 years. Over that time, it has left the safe confines of the museum only four times, according to the Smithsonian. In 1962, it was exhibited for a month at the Louvre in Paris, as part of an exhibit entitled "Ten Centuries of French Jewelry." In 1965, the Hope diamond traveled to South Africa where it was exhibited at the Rand Easter Show in Johannesburg. In 1984, the diamond was lent to Harry Winston Inc., in New York, as part of the firm's 50th anniversary celebration. In 1996, the diamond returned to Harry Winston for a cleaning and some minor restoration work.

See the TODAY show segment at this link.

Credits: Hope Diamond mail wrapper and package delivery shots courtesy of Smithsonian’s National Postal Museum. Hope diamond image by Chip Clark / Smithsonian.

Fossicker's Paradise: Queenslanders Seek Gold Nuggets, Sapphires, Emeralds and Opals

Queensland's resource minister is encouraging residents to pursue a heart-stopping, Eureka moment in the Australian state's hotspots known to bear precious metals and gems. All it takes is a AU$8.65 license, a few tools and a lot of luck.

“Whether you’re hunting for gold in Charters Towers and Clermont, searching for sapphires around Emerald or looking for the vibrant and colorful gemstones of Agate Creek, and western opals at Yowah and Opalton, Queensland is a fossicker’s paradise,” said Resources Minister Scott Stewart.

Fossicking is the term Aussies use to describe amateur prospecting, especially when carried out as a recreational activity. The Queensland Government is promoting fossicking as a popular outdoor activity the whole family can enjoy. It is currently the summer season in Australia.

“It’s been a tough year for Queenslanders,” he said, “but we’re encouraging everyone to get out and support our regional communities and explore our state’s natural beauty by urging more families to put fossicking on your must-do list these holidays.”

According to the Queensland Government, there has been an upsurge in the number of people fossicking for gold and precious gems. More than 18,000 fossickers’ licenses have been issued in just the past two years.

The Queensland countryside is filled with stories of Eureka moments...

• In 2017, an amateur fossicker discovered a yellow sapphire the size of a golf ball near Anakie. Named the "Pride of Tomahawk," the gem was one of the rarest and most significant discovered in Queensland during the past decade.

• One the largest sapphires ever discovered in Queensland is "The Stonebridge Green," a 202-carat gem that is owned by a fourth-generation gem miner at Anakie. It was originally unearthed by gem miner Frederick Max Stonebridge in 1938 and continues to be the star of an annual gem festival in central Queensland.

• Also, in 2017, a prospector found a 1.17 kg (2.57 lbs) gold nugget in a paddock in the Charters Towers region. It was just 15cm (5.9 in) below ground and was discovered using a metal detector.

Stewart clarified that fossickers are permitted to use hand tools, such as picks, shovels, hammers, sieves, shakers, electronic detectors and other similar tools.

“You can collect gemstones, ornamental stones, mineral specimens, alluvial gold — including nuggets and some fossil specimens, but not meteorites or fossils of vertebrate animals,” he said.

A month-long license will cost a family just AU$12.40 or AU$8.65 for an individual.

Credit: Image courtesy of the Queensland Government.

Neil Diamond's 'Sweet Caroline' Singalong Is Guaranteed to Bring a Smile to Your Face

Welcome to an unusual edition of Music Monday, as we bend the rules in an unconventional year to present a fabulous video that is guaranteed to bring a smile to your face and might even make you cry.

(We normally feature music on Fridays, but since Christmas Day came out on a Friday this year — and because you need to end the year on a high note — we've implemented this temporary change.)

Regular readers also know that the music offered up in this column usually contains jewelry, gemstones or precious metals in the title or lyrics. Today, we're including music by an artist with a gemstone in his name. Yes, we're talking about Neil Diamond.

Diamond is keenly aware that 2020 has been an extremely difficult time for everybody worldwide, so the legendary 79-year-old singer staged a way to spread joy and togetherness. What you are about to see is Diamond's global "Sweet Caroline" singalong, created from real fan submissions.

At the beginning of the video, a caption laid over a background resembling the facets of a black diamond explains how and why the musical piece was assembled.

“2020 has been a tough year for everyone," Diamond wrote, "so we wanted to bring people together the best way we knew how: Through music.”

Diamond added, "To inspire people to come together, we challenged fans all around the world to sing along to 'Sweet Caroline'.”

Fans were encouraged to upload their videos to the now-expired site, sweetcarolinesingalong.com, and they delivered in a big way. Thousands responded.

The edited clip shows people of all generations, nationalities and ethnicities pouring their hearts into the song, some playing instruments, others dressed like Diamond impersonators. We see toddlers singing with their parents, school kids singing with their buddies, Santa singing with his iPad, a stadium full of fans shouting “So good, so good, so good," and even an elderly couple serenading each other while dancing closely. Clearly, some of the clips were captured before COVID-19 gathering restrictions were implemented.

As the song builds to a crescendo, the individual performers on the screen shrink and multiply to reveal the thousands of participants singing in harmony. The image then dissolves into a photo of Diamond superimposed over the same black diamond graphic that opened the presentation.

Diamond's "Sweet Caroline," which was originally released in 1969, has been spotlighted in this column twice in 2020. Back in March, as the pandemic started to wreak havoc on our lives, Diamond spun up some new lyrics to the song in an effort to stem the spread of the coronavirus.

While performing in self-quarantine, Diamond replaced the popular pre-chorus, “Hands, touching hands / Reaching out, touching me, touching you,” with these health-conscious alternative lyrics, “Hands, washing hands / Reaching out, don’t touch me, I won’t touch you.”

Diamond, who stopped touring in 2018 due to a Parkinson’s diagnosis, just released his latest album, Neil Diamond with The London Symphony Orchestra, Classic Diamonds.

Please check out the video of Diamond's fans singing "Sweet Caroline." The lyrics are below if you'd like to sing along…

“Sweet Caroline”
Written by Neil Diamond. Performed by his fans.

Where it began
I can't begin to knowin'
But then I know it's growin' strong

Was in the spring
And spring became the summer
Who'd have believed you'd come along

Hands, touchin' hands
Reachin' out, touchin' me, touchin' you

Sweet Caroline
Good times never seemed so good
I've been inclined
To believe they never would
But now I…

…look at the night
And it don't seem so lonely
We fill it up with only two

And when I hurt
Hurtin' runs off my shoulders
How can I hurt when holdin' you?

Warm, touchin' warm
Reachin' out, touchin' me, touchin' you

Sweet Caroline
Good times never seemed so good
I've been inclined
To believe they never would
Oh, no, no

Sweet Caroline
Good times never seemed so good
Sweet Caroline
I believed they never could

Sweet Caroline
Good times never seemed so good

Credits: Screen captures via YouTube.com.