Thursday, October 18, 2018

Dorothy's Ruby Slippers Return to the Smithsonian After 18-Month Hiatus and Rejuvenating Facelift

They're back! The iconic ruby slippers made famous by actress Judy Garland in the landmark 1939 film The Wizard of Oz return to the Smithsonian in Washington, D.C., this Friday after an 18-month hiatus and rejuvenating facelift.

Since they were first exhibited in 1979, Dorothy's Ruby Slippers had been a top attraction, but environmental factors, such as light and moisture, had taken their toll. The leather was deteriorating, the ruby-red sequins that once gave the slipper their vibrant color were flaking and the threads holding the sequins in place were frayed. Overall, the slippers appeared dull and washed out. They were crying out for some TLC.

So, exactly two years ago, conservationists at the National Museum of American History launched a Kickstarter campaign to generate the funds to provide Dorothy’s Ruby Slippers with conservation treatment and a new display case. Within 30 days, the campaign exceeded its $300,000 goal with support from more than 6,000 donors.

On Friday, visitors to the museum will see the new-look ruby slippers in their own gallery at the museum's newly renovated third floor West Wing. They are highlighted in an exhibit called the "Ray Dolby Gateway to American Culture," which is dedicated to exploring American history through culture, entertainment and the arts.

The Ruby Slippers will be on view in a state-of-the-art display, along with a prop wand used by Billie Burke, who played Glinda the Good Witch. The wand is on special loan to the museum through November 2019. And the museum’s Scarecrow hat will be shown through February 2019.

Interestingly, Dorothy’s Ruby Slippers are not adorned with rubies. In fact, the bugle beads that prop designers used to simulate rubies proved to be too heavy. The solution was to replace most of the bugle beads with sequins, 2,300 on each slipper. The butterfly-shaped bow on the front of each shoe features red bugle beads outlined in red glass rhinestones in silver settings.

More recently, we learned that the Smithsonian's Ruby Slippers — one of four pairs known to exist — are mismatched. Each shoe has Garland's name hand-written on the inside, along with the "#1" on one shoe and "#6" on the other. Last month, the Ruby Slippers stolen from the Judy Garland museum in 2005 were finally recovered. When Smithsonian conservators inspected the shoes, they realized that the museum's shoes completed two matched pairs.

On Friday and Saturday, museum visitors are encouraged to celebrate the return of the Ruby Slippers by wearing Oz-inspired costumes and red shoes. The museum is located on Constitution Avenue N.W., between 12th and 14th streets, and is open daily from 10 a.m. to 5:30 p.m. (except Dec. 25). Admission is free.

Credits: Ruby Slippers photo by Richard Strauss, Smithsonian; The Wizard of Oz publicity shot by MGM (ebay posting) [Public domain], via Wikimedia Commons. "Ray Dolby Gateway to American Culture" photo courtesy of Smithsonian.

Wednesday, October 17, 2018

Marie Antoinette's Prized Pearls to Be Auctioned at Sotheby's Geneva on Nov. 14

With a revolution raging in France in March 1791, Queen Marie Antoinette and King Louis XVI prepared for their escape. The queen spent an evening carefully wrapping her most precious jewels in cotton and then packed them neatly into a wooden chest. The diamond, ruby and pearl treasures were secretly shipped to Vienna in the care of Count Mercy Argentau, a loyal retainer to the queen.

“The jewels made it, but unfortunately, she did not,” Daniela Mascetti, deputy chairman of Sotheby’s Jewelry Europe, told The New York Post.

Three months later, the royal family was captured in Varennes as they were trying to leave France. Both Louis XVI and Marie Antoinette were imprisoned and executed by guillotine in 1793. Their son died in captivity shortly afterwards at the age of 10.

Their last surviving child, Marie-Thérèse, was finally allowed to flee to Vienna after serving three years in solitary confinement. There, the teenage princess reclaimed her mother's jewels that had been kept safe by her cousin, the Austrian Emperor Francis II.

The jewelry remained in the queen's family for the next 200 years and has never been seen by the public — until now.

Earlier this week, Sotheby's New York put on display several jewels from the collection of Marie Antoinette. Visitors to the landmark store were even permitted to try on the regal pieces, which will be offered for sale at Sotheby's Geneva on November 14. The jewels are currently on an international tour, with stops in Dubai, New York, London, Singapore, Taipei and Geneva.

The highest-value item in the group is a natural pearl and diamond pendant set with an oval diamond in a diamond bow motif. The slightly baroque drop-shaped natural saltwater pearl measures approximately 15.90mm x 18.35mm x 25.85mm. The piece carries a pre-sale estimate of $1 million to $2 million.

A second notable lot from the collection is a fabulous necklace featuring 119 natural pearls. It is composed of three rows of slightly graduated pearls measuring from approximately 7.3mm to 9.3mm.  Interestingly, 116 were confirmed by a European gem lab to be natural saltwater pearls, while three were found to be natural freshwater pearls. The necklace is adorned with a star-motif clasp set with cushion-shaped, circular-cut and rose-cut diamonds. Estimated price: $200,000 to $300,000.

Marie Antoinette's jewelry is part of a larger auction collection comprised of pieces from the Bourbon Parma family — a family linked to the royal dynasties of France, England, Spain, Austria, Holland and Italy.

"Every jewel is absolutely imbued with history," said Mascetti. "This extraordinary group of jewels offers a captivating insight into the lives of its owners going back hundreds of years. What is also striking is the inherent beauty of the pieces themselves: the precious gems they are adorned with and the exceptional craftsmanship they display are stunning in their own right."

Credits: Jewelry images courtesy of Sotheby's. Marie Antoinette portrait by Joseph Kreutzinger [Public domain], via Wikimedia Commons.

Monday, October 15, 2018

Greville Emerald Tiara Takes Center Stage at Princess Eugenie's Royal Wedding

As Princess Eugenie exchanged wedding vows with Jack Brooksbank on Friday at St. George’s Chapel in Windsor Castle, England, all eyes were on her magnificent emerald tiara.

Dubbed the Greville Emerald Kokoshnik Tiara, the diamond-encrusted platinum headpiece features a 93.7-carat oval-shaped emerald center stone flanked by six additional emeralds on each side. Jewelry experts have pegged the value of the tiara at somewhere between $6.5 million and $13 million.

The Greville Tiara was lent to Princess Eugenie by her 92-year-old grandmother, Queen Elizabeth II.

The emerald tiara was originally designed for Dame Margaret Greville in 1919 by Parisian jewelry house Boucheron. The tiara reflects the "kokoshnik" style popularized by the Russian Imperial Court and introduced into western Europe after the Russian Revolution.

When she died in 1942, the socialite left many of her jewels — including the Greville Tiara — to the Queen Mother. Queen Elizabeth II inherited the piece when her mother passed away in 2002 at the age of 101.

Throughout the pageantry of the royal wedding, the tiara was in constant view because the 28-year-old bride chose to forgo the traditional veil.

Her choice of tiara surprised many royal watchers. They had speculated that Princess Eugenie would wear the York tiara, which her mother, Sarah Ferguson, Duchess of York, donned when she married Prince Andrew in 1986.

Instead, Princess Eugenie decided to "go green." Her emerald tiara was complemented by emerald drop earrings, a gift from the 32-year-old groom.

During the marriage ceremony at St. George's Chapel, Brooksbank placed a simple gold wedding band on his bride's finger. Despite its simplicity, the ring reflects a rich royal family tradition. Since the Queen Mother's wedding in 1923, the royal family's wedding bands have been crafted of pure Welsh gold, sourced at the Clogau mine in Bontddu.

The mine dates back to the Bronze Age, and commercial mining began there in the mid-1880s. The mine was closed in the 1990s, but Queen Elizabeth II had received a kilogram of the rare gold for her 60th birthday in 1986. The Queen’s reserves have been the source of royal wedding bands ever since.

Credits: Screen captures via YouTube.com/The Royal Family Channel.